Detalles MARC
| 000 -CABECERA |
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| Campo de control de longitud fija |
02509nam a2200205 a 4500 |
| 003 - IDENTIFICADOR DE NÚMERO DE CONTROL |
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| Campo de control |
ES-BaOER |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
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| Campo de control |
20180620081936.0 |
| 008 - CAMPO FIJO DE DESCRIPCIÓN FIJA--INFORMACIÓN GENERAL |
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| Campo de control de longitud fija |
170726s2014 us |||||| ||| 0|||||eng dd |
| 020 ## - ISBN (INTERNATIONAL STANDARD BOOK NUMBER) |
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| ISBN |
9780393083361 |
| 040 ## - FUENTE DE CATALOGACIÓN |
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| Agencia de catalogación original |
ES-BaOER |
| Idioma de catalogación |
cat |
| Agencia que realiza la transcripción |
ES-BaOER |
| 100 1# - ENCABEZAMIENTO PRINCIPAL--NOMBRE PERSONAL |
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| Nombre de persona |
Miller, Arthur I. |
| 9 (RLIN) |
15058 |
| 245 10 - MENCIÓN DE TÍTULO |
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| Título |
Colliding worlds : |
| Parte restante del título |
how cutting-edge science is redefining contemporary art / |
| Mención de responsabilidad, etc. |
Arthur I. Miller |
| 250 ## - MENCIÓN DE EDICIÓN |
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| Mención de edición |
1st ed. |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC (PIE DE IMPRENTA) |
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| Lugar de publicación, distribución, etc. |
New York ; |
| -- |
London : |
| Nombre del editor, distribuidor, etc. |
W. W. Norton & Company, |
| Fecha de publicación, distribución, etc. |
cop. 2014 |
| 300 ## - DESCRIPCIÓN FÍSICA |
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| Extensión |
xxii, 424 p. |
| 520 ## - Resumen |
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| NOTA DE RESUMEN |
A dazzling look at the artists working on the frontiers of science.<br/>In recent decades, an exciting new art movement has emerged in which artists utilize and illuminate the latest advances in science. Some of their provocative creations—a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang (pictured on the cover)—can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google’s Creative Lab, and the MIT Media Lab. In Colliding Worlds, Arthur I. Miller takes readers on a wild journey to explore this new frontier.<br/>Miller, the author of Einstein, Picasso and other celebrated books on science and creativity, traces the movement from its seeds a century ago—when Einstein’s theory of relativity helped shape the thinking of the Cubists—to its flowering today. Through interviews with innovative thinkers and artists across disciplines, Miller shows with verve and clarity how discoveries in biotechnology, cosmology, quantum physics, and beyond are animating the work of designers like Neri Oxman, musicians like David Toop, and the artists-in-residence at CERN’s Large Hadron Collider.<br/>From NanoArt to Big Data, Miller reveals the extraordinary possibilities when art and science collide. (Font: Editor)<br/> |
| 595 ## - Sumario |
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| Sumario |
List of illustrations -- Acknowledgements -- Preface -- 1. In Search of The Invisible -- 2. Montmartre in New York -- 3. The Computer Meets Art -- 4. Computer Art Morphs Into Media Art -- 5. Visualising the Invisible -- 6. Intermezzo: How Science Helped Resolve the World’s Greatest Art Scandal -- 7. Imagining and Designing Life -- 8. Hearing as Seeing -- 9. The Art of Visualizing Data -- 10. Comrades-in-Arms: Encouraging, Funding and Housing Artsci -- 11. In the Eye of the Beholder? -- 12. The Coming of a Third Culture -- Bibliography |
| 856 42 - LOCALIZACIÓN Y ACCESO ELECTRÓNICO |
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| Nota pública |
<a href="Web llibre">Web llibre</a> |
| Identificador uniforme del recurso |
<a href="http://www.collidingworlds.org/">http://www.collidingworlds.org/</a> |
| 942 ## - ELEMENTOS KOHA |
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| Koha tipo de item |
Libro |
