Curating in a time of ecological crisis : biennales as agents of change / Felicity Fenner

By:

Fenner, Felicity

Publication details: London : Routledge, 2022Edition: 1rst. edDescription: ix, 121 pISBN:

9780367671921 (hbk)

Summary: Curating in a Time of Ecological Crisis reaffirms the relevance and impactful role of art, revealing how contemporary art exhibitions can capture the zeitgeist and advance new and collaborative approaches to a more sustainable inhabitation of Earth. The book is largely focused on biennales, which it argues are the contemporary exhibition models with the greatest capacity to offer new perspectives and propose alternative ways of connecting with our social and natural environments. Felicity Fenner demonstrates this by showing how curators of these high-profile exhibitions are responding in creative and engaging ways to the issues that preoccupy artists and society more broadly, of which the ecological crisis is paramount. Drawing on case studies from different parts of the world, the author reveals how biennales can make a constructive contribution to debates and attitudes around climate change, and how the role of the curator has evolved to re-embrace a duty of care not just to art but to the natural world as well. Curating in a Time of Ecological Crisis investigates how large-scale exhibitions of contemporary international art can become agents of change. As such, the book will be essential reading for scholars, students, and practitioners with an interest in exhibitions, curating, contemporary art, and environmental sustainability. (Font: Editor)

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Holdings
Item type	Current library	Collection	Call number	Copy number	Status	Date due	Barcode
Book	Centre d' Informació i Documentació del CERC Sala	General	S 03933	1	Available		CERC22070028

List of figures -- Preface -- Introduction -- 1. Exhibiting Nature through the Decades: from Earthworks (1968) to Down to Earth (2020) -- 2. Critical Ecosystems: Biennales and new curatorial strategies in response to climate change -- 3. Environment and Empowerment: Biennales as legacy projects -- Conclusion -- Index

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