Detalles MARC
000 -CABECERA |
Campo de control de longitud fija |
03724nmm a2200289 a 4500 |
001 - NÚMERO DE CONTROL |
Campo de control |
vtls000008256 |
003 - IDENTIFICADOR DEL NÚMERO DE CONTROL |
Campo de control |
ES-BaOER |
005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
Campo de control |
20210415145123.0 |
007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA |
Campo de control de longitud fija |
c||||| |
008 - CÓDIGOS DE INFORMACIÓN DE LONGITUD FIJA |
Campo de control de longitud fija |
130626s2006 xxk|||||| 0|| ||eng|d |
035 ## - NÚMERO DE CONTROL DEL SISTEMA |
Número de control del sistema |
0008-25660 |
040 ## - FUENTE DE LA CATALOGACIÓN |
Centro catalogador de origen |
ES-BaOER |
Lengua de catalogación |
cat |
Centro transcriptor |
ES-BaOER |
100 1# - PUNTO DE ACCESO PRINCIPAL - NOMBRE DE PERSONA |
Nombre de persona |
Belfiore, Eleonora |
9 (RLIN) |
1344 |
245 10 - MENCIÓN DE TÍTULO |
Título |
Rethinking the social impact of the arts : a critical-historical review |
Tipo de material |
[Recurs electrònic] / |
Mención de responsabilidad etc. |
Eleonora Belfiore and Oliver Bennett |
256 ## - CARACTERÍSTICAS DEL ARCHIVO DE ORDENADOR |
Características del archivo de ordenador |
Fitxer electrònic en format .pdf |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Lugar de publicación distribución etc. |
Warwick : |
Nombre del editor distribuidor etc. |
Centre for Cultural Policy Studies. University of Warwick, |
Fecha de publicación distribución etc. |
2006 |
300 ## - DESCRIPCIÓN FÍSICA |
Extensión |
217 p.; |
490 1# - MENCIÓN DE SERIE |
Mención de serie |
Research papers / Centre for Cultural Policy Studies. University of Warwick ; |
Designación de volumen o secuencia |
9 |
520 ## - NOTA DE RESUMEN |
Resumen |
This extended paper focuses on contemporary debates around the social impacts of the arts and the problem of their measurement and evaluation. It attempts to put forward a new framework for the understanding of the so-called ‘transformative powers’ of the arts, by suggesting that a historical-critical approach is needed to tackle this research topic. The paper therefore presents a detailed critical analysis of the numerous claims that have been made in the West over time, from Classical Greece (V century BC) to the present day, for the ways in which the arts can affect individuals and transform society. It offers a taxonomy of these suggested impacts, both positive and negative, with a view to establishing an appropriate conceptual basis for the discussion and investigation of what the social impact of the arts might mean. At the same time, the paper attempts to reconnect contemporary policy debates with a complex intellectual history, from which these debates have become detached. It is suggested that the impacts of the arts cannot be properly understood, measured or evaluated without reference to this history. (Font: Resum) |
595 ## - Sumario |
Sumario |
Abstract -- Acknowledgements -- Introduction -- 1. Towards a new approach to researching the social impacts of the arts: Defining the terms of the debate ; On the pitfalls of ‘Eurocentrism’ ; On the distinction between ‘high’ and ‘low’ culture ; Identifying categories of ‘functions’ of the arts -- 2. Corruption and distraction: Metaphysical Arguments ; Epistemological Arguments ; Psychological Arguments -- 3. Catharsis: Moralistic/Didactic Catharsis ; Emotional Fortitude ; Moderation ; Emotional Release ; Intellectual Catharsis ; Dramatic or Structural Catharsis -- 4. Personal well-being: Pleasure and Enjoyment ; Relief from ‘Will’ ; In Work and in Leisure ; Fulfilled Time ; Art as ‘Experience’ ; Art as Play ; Evolutionary Significance ; Art Therapy -- 5. Education and Self-Development: The Influence of Horace ; Renaissance Elaborations ; Bildung ; Modern Elaborations -- 6. Moral improvement and civilization: Aristotle and Horace ; Renaissance Humanist ; French Enlightenment ; Kant ; Romanticism ; Matthew Arnold ; F.R. Leavis ; The Arts and Colonialism -- 7. Political instrument: Fascism and Nazism ; ‘Governmentalization of Culture ; The ‘Committed’ Novel ; Political Theatre -- 8. Social stratification and identity construction -- 9. Autonomy of the art and rejection of instrumentality: The Significance of Kant ; XIX Century Aestheticism ; XX Century Elaborations -- Conclusions -- Bibliography |
700 1# - PUNTO DE ACCESO ADICIONAL - NOMBRE DE PERSONA |
Nombre de persona |
Bennett, Oliver |
9 (RLIN) |
1022 |
710 2# - PUNTO DE ACCESO ADICIONAL - NOMBRE DE ENTIDAD |
Nombre de entidad o nombre de jurisdicción como elemento inicial |
University of Warwick. |
Unidad subordinada |
Centre for the Study of Cultural Policy |
9 (RLIN) |
2144 |
830 #0 - PUNTO DE ACCESO ADICIONAL DE SERIE - TÍTULO UNIFORME |
Título uniforme |
Research papers |
Designación de volumen o secuencia |
9 |
9 (RLIN) |
15676 |
856 41 - LOCALIZACIÓN Y ACCESO ELECTRÓNICOS |
Identificador Uniforme del Recurso (URI) |
<a href="http://www2.warwick.ac.uk/fac/arts/theatre_s/cp/publications/centrepubs/ccps_paper_9.pdf">http://www2.warwick.ac.uk/fac/arts/theatre_s/cp/publications/centrepubs/ccps_paper_9.pdf</a> |
942 ## - ENTRADA PARA ELEMENTOS AGREGADOS (KOHA) |
Koha [por defecto] tipo de item |
e-Libro |
Fuente de clasificación o esquema de ordenación en estanterías |
Universal Decimal Classification |