Detalles MARC
| 000 -CABECERA |
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| Campo de control de longitud fija |
03677nam a2200181 i 4500 |
| 003 - IDENTIFICADOR DE NÚMERO DE CONTROL |
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| Campo de control |
ES-BaOER |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
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| Campo de control |
20210614161921.0 |
| 008 - CAMPO FIJO DE DESCRIPCIÓN FIJA--INFORMACIÓN GENERAL |
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| Campo de control de longitud fija |
210614s2020 gw ||||| |||| 0|| ||eng d |
| 020 ## - ISBN (INTERNATIONAL STANDARD BOOK NUMBER) |
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| ISBN |
9783775748278 |
| 040 ## - FUENTE DE CATALOGACIÓN |
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| Agencia de catalogación original |
ES-BaOER |
| Idioma de catalogación |
cat |
| Agencia que realiza la transcripción |
ES-BaOER |
| 100 1# - ENCABEZAMIENTO PRINCIPAL--NOMBRE PERSONAL |
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| 9 (RLIN) |
17812 |
| Nombre de persona |
Szánto, András |
| 245 14 - MENCIÓN DE TÍTULO |
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| Título |
The Future of the museum : |
| Parte restante del título |
28 dialogues / |
| Mención de responsabilidad, etc. |
András Szántó |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC (PIE DE IMPRENTA) |
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| Lugar de publicación, distribución, etc. |
Berlin : |
| Nombre del editor, distribuidor, etc. |
Hatje Cantz, |
| Fecha de publicación, distribución, etc. |
cop. 2020 |
| 300 ## - DESCRIPCIÓN FÍSICA |
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| Extensión |
317 p. |
| 520 ## - Resumen |
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| NOTA DE RESUMEN |
s museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight conversations in this book explores a particular topic of relevance to art institutions today and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention. (Font: Editor) |
| 595 ## - Sumario |
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| Sumario |
Ambition & anxiety: reimagining the art museum -- Location: Suhanya Raffel (M+ Museum, Hong Kong) -- Museums for everybody: Victoria Noorthoorn (Museo de Arte Moderno de Buenos Aires) -- Equity: Franklin Sirmans (Pérez Art Museum Miami) -- Museums for scratch: Marie-Cécile Zinsou (Musée de la Fondation Zinsou, Ouidah) -- Community: Anne Pasternak (Brooklyn Museum) -- De-westernization: Adriano Pedrosa (MASP, São Paulo) -- Think global, act local: Tania Coen-Uzzielli (Tel Aviv Museum of Art) -- Rethinking art museums in Asia: Eugene Tan (National Gallery Singapore & Singapore Art Museum) -- Museums in Africa: Koyo Kouoh (Zeitz Museum of Contemporary Art Africa, Cape Town) -- Latin American Museums: María Mercedes González (Museo de Arte Moderno de Medellín) -- Learning from China: Philip Tinari (UCCA Center for Contemporary Art, Beijing) -- Indigenous voices: Rhana Devenport (Art Gallery of South Australia, Adelaide) -- Museums & public trust: Thomas P. Campbell (Fine Arts Museums of San Francisco) -- Lowering barriers: Meriem Berrada (MACAAL, Marrakesh) -- Museum as campus: Anton Belov (Garage Museum of Contemporary Art, Moscow) -- Museums & political power: Marion Ackermann (Staatliche Kunstsammlungen Dresden) -- Ecology & slow programming: Hans Ulrich Obrist (Serpentine Galleries, London) -- Art & Biodiversity: Sonia Lawson (Palais de Lomé) -- Contemporaneity: Max Hollein (The Metropolitan Museum of Art, New York) -- The public realm: Cecilia Alemani (The High Line, New York) -- Visual literacy: Brian Kennedy (Peabody Essex Museum, Salem) -- Education & inclusion: Sandra Jackson-Dumont (Lucas Museum of Narrative Art, Los Angeles) -- Museums & technology: Daniel Birnbaum (Acute Art, London) -- Immersive experiences: Katrina Sedgwick (Australian Center for the Moving Image, Melbourne) -- Museum as business: Axel Rüger (Royal Academy of Arts, London) -- Quality in the twenty-firts Century: Adam Levine (Toledo Museum of Art) -- Museums for a better future: Mami Kataoka (Mori Art Museum, Tokyo) -- The post-museum: Marc-Olivier Wahler (Musée d’Art et d’Histoire, Geneva) -- Acknowledgements<br/><br/><br/> |
| 942 ## - ELEMENTOS KOHA |
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| Koha tipo de item |
Libro |
