Markets for the arts / edited by: William S. Hendon, James L. Shanahan, Izaak H. Hilhorst, ... [et al]
Detalles de publicación: Akron : University of Akron, 1983Descripción: 174 pResumen: This is Volume IV of four of the Proceedings of the Second International Conference on Cultural Economics and Planning which was held May 26-28, 1982 in Maastricht, Holland. l. This fourth volume of the proceedings for the 2nd International Conference on Cultural Economics and Planning is devoted to papers on markets for art and the consequences for artistic careers. Art works examined by the fourteen papers in this volume range from computer games and television to books, paintings and on to the performing arts. Hence, a broad range of cultural suppliers are included - the cultural institutions and commercial cultural industries. Some of the papers study private market behavior. (See papers by C.D. Throsby, C. Abt, S. Gold, U. Franger, and E. Helmstadter and C. Waits and McNertney) Many of the papers, though, are concerned with public market intervention policies designed to promote art and artists in particular ways. This volume is divided into two sections - Markets for the Arts and Economic Aspects of Careers in the Arts. Markets for the Arts is further sub-divided into three parts: Demand, Supply, and Demand/Supply. Most papers though, are concerned with Market Supply questions or with artists career options. II. Markets for the Arts. The section on Market Demand includes the papers by C. D. Throsby and Broekman. Throsby concentrates on the qualitative influences operating in the markets for the performing arts. A comprehensive list of qualitative criteria are presented, some of which ought to be important to various market interests -performing organizations, funding organizations, and arts consumers. These sources of satisfaction are grouped as: source material and technical factors regarding the performance, benefits to audiences, benefits to, society in general, and benefits to the art form. Throsby, being most interested in qualitative influences on audience demand, suggests that the first three sets of criteria are most pertinent and sets out to develop measures and models to capture their influence on audience behavior. Then, for each of three Australian theaters demand curves are estimated using price and a set of qualitative measures as the determinants of demand. (Font: Introducció)| Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Copia número | Estado | Fecha de vencimiento | Código de barras | |
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Libro
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Centre d' Informació i Documentació del CERC Magatzem | General | M 0079 | 1 | Exclòs de préstec | 1900022718 |
Volum 4 del cuatre que conformen les ponències de la Second International Conference on Cultural Economics and Planning (26-28 May 1982, Maastrich)
A la portada: Boekman Foundation; Center for Urban Studies. University of Akron; Association for Cultural Economics
Editor's Introduction / I. Markets for the Arts: Perception of Quality in Demand for the Theatre / C.D. Throsby -- Time, Economics and Cultural Policy / F. Broekman -- The Cultural Influence of Public Television / Glenn A. Withers -- Technological Development and Its Impact on Government Regulation of Broadcasting / Niko van Niekerk, Perter Wilms -- The Economics of Cultural Decisons in the New Art of Computer Games / Clark C. Abt - Cultural Industries: Why? What? How? / Augustin Girard -- Instruments for Cultural and Social Development and Achievement / A. Grypdonck -- Are Public Subventions for Visual Artists Creativist or Anticreativist? / Leslie Singer -- Consumer Sovereignty and the Performing Arts / Sonia Gold -- Auction Prices of Paintings in the Federal Republic of Germany, 1970 - 1980 / Ernst Helmstadter, Ute Frangen -- II. Economic Aspects of Careers for the Artist: Income Incentives and Selection of Artistic Careers / C. Richard Waits, Edward M. McNertney -- Economic Status of Canadian Free1ance Writers / Brian R. Harrison, John R. Thera -- Income Effects and Fine Art Markets / George Muskens, Jan·Maas, Dirk-Jan Tilborghs, Joop van Poppel, Gert van Mill -- Public Lending Right at the Crossroads, or The Writer in No-Man's-Land / W.J. den Hetog, C. de Rooi -- III. Comments: Perceptions of Quality in the Performing Arts / Gregory B. Christainsen -- Time, Economics and Cultural Policy / Abdul Khakee -- The Cultural Influence of Public Te1evision / Abdul Khakee -- Technological Development and Its Impact on Government Regulation of Broadcasting / Abdul Khakee -- The Economics of Cultural Decisions in the New Art of Computer Games / D.R. Vaughan -- Are Public Subventions for Visual Art Creativist or Anticreativist? A Neoclassical Analysis / T. Scitovsky -- Determinants of Art Demand- Exploring the Role of Producer and Consumer Sovereignty / Gregory B. Christainsen -- Pricing Paintings / Randal Filer -- Income Incentives and Artistic Careers / Rueben Miller -- Economic Status of Canadian Freelance Writers / Tim Rowse -- Income Effects of Arts Market / Rueben Miller -- IV. Biographical Sketches of Contributors
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