Detalles MARC
| 000 -CABECERA |
|---|
| Campo de control de longitud fija |
02741nam a2200217 a 4500 |
| 003 - IDENTIFICADOR DE NÚMERO DE CONTROL |
|---|
| Campo de control |
ES-BaOER |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
|---|
| Campo de control |
20180620110600.0 |
| 008 - CAMPO FIJO DE DESCRIPCIÓN FIJA--INFORMACIÓN GENERAL |
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| Campo de control de longitud fija |
161121s2014 us ||||| |||| 0|| ||eng c |
| 020 ## - ISBN (INTERNATIONAL STANDARD BOOK NUMBER) |
|---|
| ISBN |
9780262027007 |
| 040 ## - FUENTE DE CATALOGACIÓN |
|---|
| Agencia de catalogación original |
ES-BaOER |
| Idioma de catalogación |
cat |
| Agencia que realiza la transcripción |
ES-BaOER |
| 100 1# - ENCABEZAMIENTO PRINCIPAL--NOMBRE PERSONAL |
|---|
| Nombre de persona |
Rinehart, Richard |
| 9 (RLIN) |
14762 |
| 245 10 - MENCIÓN DE TÍTULO |
|---|
| Título |
Re-collection : |
| Parte restante del título |
art, new media, and social memory / |
| Mención de responsabilidad, etc. |
Richard Rinehart and Jon Ippolito |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC (PIE DE IMPRENTA) |
|---|
| Lugar de publicación, distribución, etc. |
Cambridge, Massachusets : |
| Nombre del editor, distribuidor, etc. |
The MIT Press, |
| Fecha de publicación, distribución, etc. |
2014 |
| 300 ## - DESCRIPCIÓN FÍSICA |
|---|
| Extensión |
xii, 297 p. |
| 490 1# - MENCIÓN DE COLECCIÓN |
|---|
| Colección |
Leonardo |
| 520 ## - Resumen |
|---|
| NOTA DE RESUMEN |
How will our increasingly digital civilization persist beyond our lifetimes? Audio and videotapes demagnetize; CDs delaminate; Internet art links to websites that no longer exist; Amiga software doesn't run on iMacs. In Re-collection, Richard Rinehart and Jon lppolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media, distributed across producers and consumers who can choose appropriate strategies for each endangered work.<br/>New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion. Rinehart and lppolito, both museum professionals, examine the preservation of new media art from both practical and theoretical perspectives, offering concrete examples that range from Nam June Paik to Danger Mouse. They investigate three threats to twenty-first-century creativity: technology, because much new media art depends on rapidly changing software or hardware; institutions, which may rely on preservation methods developed for older mediums; and law, which complicates access with intellectual property constraints such as copyright and licensing. Technology, institutions, and law, however, can be enlisted as allies rather than enemies of ephemeral artifacts and their preservation. The variable media approach that Rinehart and lppolito propose asks to what extent works to be preserved might be medium-independent, translatable into new mediums when their original formats are obsolete. (Font: Editor) |
| 595 ## - Sumario |
|---|
| Sumario |
I. Introduction: 1. The Lost and the Saved ; 2. New Media and Social Memory -- II. Technology: 3. Death by Technology ; 4. Variability Machines ; 5. Metadata and the Historic Record -- III. Institutions: 6. Death by institution ; 7. The Open Museum ; 8. Generation Emulation -- IV. Law: 9. Death by law ; 10. Unreliable archivists ; 11. Variable Organisms -- V. Conclusion: 12. Checking In ; 13. Only You Can Prevent the End of History -- Notes -- Index |
| 700 1# - ENCABEZAMIENTO SECUNDARIO--NOMBRE PERSONAL |
|---|
| Nombre de persona |
Ippolito, Jon |
| 9 (RLIN) |
16847 |
| 830 ## - ENCABEZAMIENTO SECUNDARIO DE COLECCIÓN--TÍTULO UNIFORME |
|---|
| Título Uniforme |
Leonardo book |
| 9 (RLIN) |
14230 |
| 942 ## - ELEMENTOS KOHA |
|---|
| Koha tipo de item |
Libro |
